RED EPIC DRAGON 6K

The RED EPIC DRAGON gives you astounding 6K shooting capability – 9 times more pixels than HD – with greater detail results than 35mm film in both latitude and image density. The RED Dragon sensor produces softer skin tones, vibrant primary colors, and subtle variations in tones. Improved noise control and low-light shooting means you can push your ISO to 2000 and still produce footage suitable for theater.

EPIC-M RED DRAGON is hand-assembled by a dedicated team in California using machined parts utilized in key locations. Capture 6K images from 1-100 fps and take advantage of an arsenal of features such as wireless remote control (via REDMOTE®), and modular design—without the burden of dealing with a large, bulky system. DSMC modules, sensor upgrades and free firmware updates are just a few advantages of Obsolescence Obsolete. The DSMC FAN KIT 2.0 (TOP/BOTTOM) comes pre-installed in every EPIC-M DRAGON for quieter, more efficient cooling. Made in the USA.

Every 6K frame is a 19 megapixel RAW image, which is up to 9x more pixels than 1080p HD. The amount of picture detail found in a 6K image goes beyond that of 35mm, comparing only to 65mm in image density. This means more precise VFXplates, reframing flexibility, and less aliasing artifacts and moiré. Even when outputting 6K footage to 4K or HD, your images will be cleaner and crisper compared to those captured at lower resolutions. When it comes to resolution, bigger is better.

RED DRAGON sensors have a native dynamic range of over 16.5+ stops, giving you a huge advantage in challenging lighting conditions. An improved signal-to-noise ratio gives you confidence that your picture quality will be print and cinema ready from ISO 200 to 2000. Fewer filters, fewer IR issues, and less noise gives you more opportunities for perfect exposure.

Vibrant colors, smoother skin tones, and improved tonal variations are just a few of the advantages of the RED DRAGON color science. Brilliant hues and accurate subtleties stand out in every frame, producing RAW images that are true to life. The next generation of sensor technology requires the next generation of color science.

Sensor Type
RED DRAGON® 19.4 Megapixel CMOS

Effective Pixels
6144 x 3160

Sensor Size
30.7 mm x 15.8 mm (Diagonal: 34.5 mm)

Dynamic Range
16.5+ stops

Max Data Rates
Up to 200 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB)
Up to 170 MB/s using RED MINI-MAG (120GB & 240GB) or REDMAG™ 1.8″

Max Frame Rates
“75 fps at 6K Full Format (6144 x 3160), 100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)”

“Playback Frame Rates 
(Project Time Base)”
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

Construction
Aluminum Alloy

Weight
5 lbs (BRAIN only)

Operating Temperature
0˚C to 40˚C (32˚F to 104˚F)

Storage Temperature
–20˚C to 50˚C (–4˚F to 122˚F)

Relative Humidity
0% to 85% non-condensing

Color Management
3D LUT capabilities with REDCAST® Module

Audio
“2 channel, uncompressed, 24-bit, 48 kHz
Optional 4 channel, and AES/EBU digital audio”

Remote Control
“Ethernet, RS232, and GPI Trigger
Wireless control with optional REDMOTE® and R.C.P.™ Bridge”

Monitor Outputs
“3G-SDI (HD-SDI) and HDMI® with Frame Guides and Lookaround
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI Only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio”

Monitor Options
“DSMC2® RED® Touch 4.7″ LCD and DSMC2 RED Touch 7.0″ LCD compatible with DSMC2 LCD/EVF Adaptor B and LCD/EVF cable.
RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, RED Touch 7.0″ LCD, DSMC2 RED EVF (OLED), BOMB® EVF (OLED), and BOMB EVF (LCOS) compatible with LCD/EVF cable.”

“REDCINE-X PRO®
Delivery Formats”
“4K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime®, JPEG, Avid® AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4”

Video Editing Software Compatibility
Adobe® Premiere® Pro, Avid Media Composer®, DaVinci Resolve®, Edius Pro®, Final Cut Pro®, Vegas Pro®